As anyone in film will tell you, minutes spent in pre-production will save you hours later. Luckily, this area is rich with resources because nearly any sound-recording article, regardless of being radio drama specific or not, can help you out. There are basically four methods of recording a radio drama:
And while a reader may get up and come back to an article, a radio listener who gets up may not come back. So you want to grab their attention and hold onto it for as long as possible.
Writing feature stories like the ones aired on B-Side is also different than writing news copy.
You can loosen up a little. You can be more literary, more creative, more personal. This handout is a quick guide to writing a script for a feature radio story. Highlight or mark tracks you know you want to come back to.
If you have a great long cut, you can break it up with your narration or edit it down. Think about how your cuts will fit into your story structure- do they describe something, tell a story, make you laugh, make you scratch your head? Your actualities should advance the story and make it interesting.
You may have talked about the story with a friend or editor. Basically, you already have all the elements floating around in your head.
Then start writing your narration around them. An anchor intro quickly sets up your story and puts it in context, without giving away too much. Telling a Story As you write your narration, try to tell a story with a beginning, middle, and end.
Draw listeners into the story by setting a scene, raising a question, playing a weird noise, or introducing a character. Use narrative elements like foreshadowing, suspense, and scene changes to move the story along.
Mix Things Up Use tracks of varying length. A series of second acts interspersed with second tracks will get pretty monotonous. A few aesthetic considerations to keep in mind as you write your script: This is not the same as trying to imitate spontaneous speech.
Instead, this means writing in a style that sounds as relaxed as possible. Use phrases and words you normally use.
When you read your narration aloud, do you sound like yourself? Give your listeners a chance to imagine the people, places and things in your story. Create a sense of scene; describe people; include interesting sounds. Mix up your sentence structure. Use the active voice. Use punchy verbs and contractions.
Most radio stories are done in present tense. Some exceptions include commentaries, and news stories about past events. For variety, stick in a tape-to-tape cut one actuality leading straight into another without narration in between.
Mix acts and tracks. For example, if someone is droning on and on, you can play them under your narration- this will convey a sense of them rambling. Even the most straightforward story can have an unusual or memorable element in it.
Try to go beyond just presenting the facts. Let your listeners know why your story matters. Is there a lesson to be learned, something to be taken away?Scripting for the Radio Documentary by Alwyn Owen and Jack Perkins Teaching script writing, like teaching sex, is essentially a secondhand operation; in.
Radio drama (or audio drama, audio play, radio play, radio theater, or audio theater) is a dramatized, purely acoustic performance. With no visual component, radio drama depends on dialogue, music and sound effects to help the listener imagine the characters and story: "It is auditory in the physical dimension but equally powerful as a visual.
This is a practical guide for writers, producers and others who use radio dramas as the vehicle to bring about behaviour change among socioeconomically disad. 'Writing and Producing Radio Dramas' by Esta de Fossard is a digital PDF ebook for direct download to PC, Mac, Notebook, Tablet, iPad, iPhone, Smartphone, eReader - but not for Kindle.
A DRM capable reader equipment is required. Nov 07, · How to Write a Radio Play. Radio still captivates many listeners around the world and is a great medium for a play.
Many years ago, listening to the radio was the main source of entertainment until television came along%().
The Power of Radio - Basic Skills Manual The Power of Radio Introduction host may also do research or a news reader may file reports from the field. Even at larger stations, producers are often involved in research and booking guests.
Writing for radio means writing the way people speak. Keep the following tips in mind.